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The field is divided into panels or compartments containing either individual motifs or identifiable segments of the overall scheme. Sometimes three or four motifs are repeated in alternate panels across the field, and sometimes the same, or totally separate motifs are used. Sophisticated versions may be found in a number of workshop items, particularly Kerman and Qum, but perhaps its finest and most definitive expression is encountered in the more primitive rugs of the Bakhtiari tribe.
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