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These are designs which feature floral forms without the addition of a medallion, vase or other primary motif. They were popular with some older Caucasian (mainly Karanagh) groups, and may still be encountered in a number of village and workshop items. Perhaps the most popular and satisfying all over floral scheme is the Lillian design, which forms a substantial part of the repertoire of the Sarouk weavers of west central Persia.
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